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本文(ANSI ESTA E1.16-2002 Entertainment Technology Configuration Standard for Metal-Halide Ballast Power Cables (Formerly PLASA E1.16).pdf)为本站会员(inwarn120)主动上传,麦多课文库仅提供信息存储空间,仅对用户上传内容的表现方式做保护处理,对上载内容本身不做任何修改或编辑。 若此文所含内容侵犯了您的版权或隐私,请立即通知麦多课文库(发送邮件至master@mydoc123.com或直接QQ联系客服),我们立即给予删除!

ANSI ESTA E1.16-2002 Entertainment Technology Configuration Standard for Metal-Halide Ballast Power Cables (Formerly PLASA E1.16).pdf

1、ANSI E1.16 2002 (R2017)Entertainment TechnologyConfiguration Standard for Metal-Halide Ballast Power CablesEP/2000-7007r5This edition of ANSI E1.16 is a reaffirmation of ANSI E1.16-2002. This reaffirmation was approved by the American National Standards Institute on 18 May 2017. 2017 the Entertainme

2、nt Services and Technology Association (ESTA). All rights reserved.ANSI E1.16 2002 (R2017) 2017 ESTANotice and DisclaimerESTA does not approve, inspect, or certify any installations, procedures, equipment or materials for compliance with codes, recommended practices, or standards. Compliance with a

3、ESTA standard or recommended practice, or any American National Standard developed under ESTAs Technical Standards Program is the sole and exclusive responsibility of the manufacturer or provider and is entirely within their control and discretion. Any markings, identification or other claims of com

4、pliance do not constitute certification or approval of any type or nature whatsoever by ESTA.ESTA neither guarantees nor warrants the accuracy or completeness of any information published herein and disclaim liability for any personal injury, property or other damage or injury of any nature whatsoev

5、er, whether special, indirect, consequential or compensatory, directly or indirectly resulting from the publication, use of, or reliance on this document.In issuing and distributing this document, ESTA does not either (a) undertake to render professional or other services for or on behalf of any per

6、son or entity, or (b) undertake any duty to any person or entity with respect to this document or its contents. Anyone using this document should rely on his or her own independent judgment or, as appropriate, seek the advice of a competent professional in determining the exercise of reasonable care

7、 in any given circumstance.Published by:The Entertainment Services and Technology Association630 Ninth Avenue, Suite 609New York, NY 10036USAPhone: 1-212-244-1505Fax: 1-212-244-1502Email: standardsesta.orgiANSI E1.16 2002 (R2017) 2017 ESTAThe ESTA Technical Standards ProgramThe ESTA Technical Standa

8、rds Program was created to serve the ESTA membership and the entertainment industry in technical standards related matters. The goal of the Program is to take a leading role regarding technology within the entertainment industry by creating recommended practices and standards, monitoring standards i

9、ssues around the world on behalf of our members, and improving communications and safety within the industry. ESTA works closely with the technical standards efforts of other organizations within our industry and represents the interests of ESTA members to ANSI, UL, and the NFPA. The Technical Stand

10、ards Program is accredited by the American National Standards Institute.The Technical Standards Council (TSC) was established to oversee and coordinate the Technical Standards Program. Made up of individuals experienced in standards-making work from throughout our industry, the Council approves all

11、projects undertaken and assigns them to the appropriate working group. The Technical Standards Council employs a Technical Standards Manager and Assistant to coordinate the work of the Council and its working groups as well as maintain a “Standards Watch” on behalf of members. Working groups include

12、: Control Protocols, Electrical Power, Event Safety, Floors, Fog and Smoke, Followspot Position, Photometrics, Rigging, and Stage Lifts.ESTA encourages active participation in the Technical Standards Program. There are several ways to become involved. If you would like to become a member of an exist

13、ing working group, as have over two hundred people, you must complete an application which is available from the ESTA office. Your application is subject to approval by the working group and you will be required to actively participate in the work of the group. This includes responding to letter bal

14、lots and attending meetings. Membership in ESTA is not a requirement, but there is an annual participation fee. A participation fee fund is available to help those who find the fee is an impediment to their participation due to their financial situation. You can also become involved by requesting th

15、at the TSC develop a standard or a recommended practice in an area of concern to you.The Electrical Power Working Group, which authored this standard, consists of a cross section of entertainment industry professionals representing a diversity of interests. ESTA is committed to developing consensus-

16、based standards and recommended practices in an open setting. Future Electrical Power Working Group projects will include updating this publication as changes in technology and experience warrant, as well as developing new standards and recommended practices for the benefit of the entertainment indu

17、stry. iiANSI E1.16 2002 (R2017) 2017 ESTAInvestors in InnovationThe Technical Standard Program is financially supported by companies and individuals who make undirected donations to the TSP. Contributing companies and individuals who have helped fund the TSP are recognized as “Investors in Innovatio

18、n.” The Investors in Innovation when this standard was approved by ANSI on 18 May 2017 include these companies and individuals:VISIONARY LEADERS ($50,000 100 employees/members)Chauvet Professional United States Institute for Theatre TechnologyColumbus McKinnon Entertainment Technology VERMartin Prof

19、essional Walt Disney Parks and ResortsRobeVISIONARY ($5,000 20100 employees/members)Altman Lighting, Inc. McLaren Engineering GroupGerman Light Products Stage RiggingHigh End Systems TMBJR Clancy Tyler Truss Systems, Inc.VISIONARY ($500 100 employees/members)Barbizon Electric NAMMGolden Sea Professi

20、onal Equipment Limited Rosco LaboratoriesIATSE Local 891 Texas Scenic CompanyLexINVESTOR ($1,500$4,999; 20100 employees/members)American Society of Theatre Consultants Morpheus LightsCity Theatrical Inc. Niscon Inc.InterAmerica Stage, Inc. Syracuse Scenery and Stage LightingLycian Stage Lighting XSF

21、 Xtreme Structures and FabricationINVESTOR ($200$499; 100 employees/members)Ian Foulds, IATSE Local 873 IATSE Local 80Harlequin Floors PSAVSUPPORTER ($1,500; 20100 employees/members)Aerial Arts SerapidBlizzard Lighting, LLC Stage Equipment 20 employees/members)AC Power Distribution Shawn NolanMilton

22、 Davis Lizz PittsleyPeter Donovan Phil ReillyPat Grenfell Robert ScalesMitch Hefter Charles ScottBill Hektner Michael SkinnerAlan Hendrickson Skjonberg Controls Inc.Hoist Sales and Services Studio T+L, LLCBeverly and Tom Inglesby John SzewczukIntensity Advisors TeclumenJSAV Theta ConsultingEddie Kra

23、mer Tracy UnderhillMichael Lay Ken Vannice John Musarra Robert L. Williams Planned Giving donorivANSI E1.16 2002 (R2017) 2017 ESTAContact InformationTechnical Standards ManagerKarl G. RulingESTA630 Ninth Avenue, Suite 609New York, NY 10036USA1-212-244-1505 x703karl.rulingesta.orgAssistant Technical

24、Standards ManagerErin GrabeESTA630 Ninth Avenue, Suite 609New York, NY 10036USA1-212-244-1505 x606erin.grabeesta.orgTechnical Standards Council Co-chairpersonsMike Garl Mike Garl Consulting LLCPhone: 1 865-389-Mike WoodMike Wood Consulting LLCPhone: 1 512-288-4916Fax: 1 866-674- Electrical Power Wor

25、king Group ChairpersonsMitch HefterPhone: 1-972-839-8488mkhefter.pDesignRKen VanniceKen Vannice LLCPhone: 1-503-244- vANSI E1.16 2002 (R2017) 2017 ESTAAcknowledgmentsThe Electrical Power Working Group was the consensus body for the development of this standard. The working groups membership at the t

26、ime the motion was made to reaffirm this standard at the working groups meeting on 20 January 2017 is listed below.Voting members:Kevin Amick; IATSE Local 479; GMatthew Antonucci; Contract Services Administration Trust Fund; UJustin Bennett; University of the Incarnate Word; URodger Dean; Entertainm

27、ent Electrical Safety Committee of Ontario; GDon Earl; Earl Girls, Inc.; DRNehad El-Sherif; Nehad El-Sherif; GIan Foulds; Entertainment Electrical Safety Committee of Ontario; GJerry Gorrell; Theatre Safety Programs; UMitch Hefter; USITT; USimon Hunt; IATSE Local 891; UEdwin S. Kramer; I.A.T.S.E. Lo

28、cal 1; URoger Lattin; I.A.T.S.E. Local 728; UHans Lau; Filmgear, Inc.; MPMichael Lay; Philips Lighting; MPGeorge Long; Aggreko; DRBob Luther; Lex TM3; CPTyrone Mellon Jr.; Lex TM3; CPAlan M. Rowe; I.A.T.S.E. Local 728; UHeather Rowe; Contract Services Administration Trust Fund; ULarry Schoeneman; De

29、signLab Chicago, Inc.; DRSteve Terry; Electronic Theatre Controls, Inc.; MPStephen Vanciel; IATSE Local 631; UKen Vannice; Ken Vannice LLC; GArt Wanuch; Entertainment Electrical Safety Committee of Ontario; GKeith S. Woods; IATSE Local 891; UObserver members:Robert Barbagallo; Solotech Inc.; DRAlyxz

30、ander Bear; Insomniac; DELee J. Bloch; Bloch Design Group, Inc.; GLouis Bradfield; Louis Bradfield; URichard Cadena; Academy of Production Technology; GRon Dahlquist; Dadco; MPJames Davey; AC Power Distribution Inc.; CPJeremy Day; Lumenpulse Lighting Inc.; MPJim Digby; Event Safety Alliance; UMarsha

31、 DuBois; Pintech Stage Connectors, Inc.; CPJames Eade; ABTT; GBrian Eustace; Mole-Richardson Co.; CPTrevor Forrest; Helvar Lighting Control; MPMike Harwood; William F. White International; DRJim Holladay; Luxence; GCharles (Chuck) Kurten; Underwriters Laboratories, Inc.; GNathan Leonard; Bender GmbH

32、 MPPat Miller; Hubbell Inc. ; MPKevin OBrien; Bestek Lighting UElizabeth E. (Lizz) Pittsley; Elizabeth Pittsley; UviANSI E1.16 2002 (R2017) 2017 ESTAFord Sellers; Chauvet Lighting; MPMike Skinner; Alliance of Motion Picture and Television Producers; UJonny Starr; TMB; MPRobert Timmerman; Philips Lig

33、hting; MPJames Tomlinson; Team Tomlinson; GColin Waters; TMB; DRJeong Sik Yoo; Korea Testing Laboratory / Theatre Safety Center; DEKey to interest categories:CP custom-market producerDE designer DR dealer or rental companyMP mass-market producerG general interestU userviiANSI E1.16 2002 (R2017) 2017

34、 ESTATable of ContentsNotice and DisclaimeriInvestors in Innovation.iiiAcknowledgmentsvi1 Scope12 Purpose.13 Requirements1Front view of the male connector1viiiANSI E1.16 2002 (R2017) 2017 ESTAEntertainment Technology Configuration Standard for Metal-Halide Ballast Power Cables1 ScopeThis standard de

35、scribes a standard practice for grounding contact assignment for detachable power cables on 6 kW, 12 kW and 18 kW metal-halide lamp ballasts used in the motion picture and television industries on portable studio luminaires that use the MIL-C-5015 or MIL-DTL-5015 connectors with #28-6 insert configu

36、ration on the ballast end of the power cable.2 PurposeThe use of a standardized pin assignment will reduce the possibility of ballast chassis to ungrounded power conductor connections caused by mismatched cables and ballasts. 3 RequirementsConnectors on detachable power cables for use on 6kW, 12kW a

37、nd 18kW metal-halide lamp ballasts with MIL-C-5015 or MIL-DTL-5015 equivalent #28-6 insert configurations (one-piece construction) and contact configuration (screw machine) shall designate the “A” position as the grounding contact. This shall be extended for mate first/break last operation.Front view of the male connectorPage 1

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