ANSI ESTA E1.30-4-2010 EPI 26 Device Description Language (DDL) Extensions for DMX512 and E1.31 Devices.pdf

1、ANSI E1.30-4 2010 (R2015)EPI 26. Device Description Language (DDL)Extensions for DMX512 and E1.31 DevicesDocument number CP/2008-1007r6This standard was approved as an American National Standard by ANSIs Boardof Standards Review on 25 September 2015.This standard was originally published when the En

2、tertainment Services and Technology Association wasoperating under the name of PLASA North America. ESTA has reverted to its original name, and this document has been rebranded with the current corporatename and logo. No changes have been made to the contents of the standard.Copyright 2017 ESTA630 N

3、inth Avenue, Suite 609 New York, NY 10036, USA. All rights reserved.ANSI E1.30-4 2010 (R2015) CP/2008-1007r6NOTICE and DISCLAIMERESTA does not approve, inspect, or certify any installations, procedures, equipment or materials for compliance with codes, recommended practices or standards. Compliance

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7、dertake any duty to any person or entity with respect to this document or its contents. Anyone using this document should rely on his or her own independent judgment or, as appropriate, seek the advice of a competent professional indetermining the exercise of reasonable care in any given circumstanc

8、e. Published by:Entertainment Services and Technology Association630 Ninth Avenue, Suite 609New York, NY 10036USAPhone: 1-212-244-1505Fax: 1-212-244-1502standardsesta.org 2017 ESTA iANSI E1.30-4 2010 (R2015) CP/2008-1007r6The ESTA Technical Standards ProgramThe ESTA Technical Standards Program was c

9、reated to serve the ESTA membership and the entertainment industry in technical standards related matters. The goal of the Program is to take a leading role regarding technology within the entertainment industry by creating recommended practices and standards, monitoring standards issues around the

10、world on behalf of our members, and improving communications and safety within the industry. ESTA works closely withthe technical standards efforts of other organizations within our industry, including USITT and VPLT, as well as representing the interests of ESTA members to ANSI, UL, and the NFPA. T

11、he Technical Standards Program is accredited by the American National Standards Institute.The Technical Standards Council (TSC) was established to oversee and coordinate the TechnicalStandards Program. Made up of individuals experienced in standards-making work from throughout our industry, the Coun

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13、ude: Control Protocols, Electrical Power, Event Safety, Floors, Fog and Smoke, Followspot Position, Photometrics, Rigging, and Stage Lifts.ESTA encourages active participation in the Technical Standards Program. There are several ways to become involved. If you would like to become a member of an ex

14、isting working group, as have over four hundred people, you must complete an application which is available from the ESTA office. Your application is subject to approval by the working group and you will be requiredto actively participate in the work of the group. This includes responding to letter

15、ballots and attending meetings. Membership in ESTA is not a requirement. You can also become involved byrequesting that the TSC develop a standard or a recommended practice in an area of concern to you.The Control Protocols Working Group, which authored this Standard, consists of a cross section of

16、entertainment industry professionals representing a diversity of interests. ESTA is committed todeveloping consensus-based standards and recommended practices in an open setting. 2017 ESTA iiANSI E1.30-4 2010 (R2015) CP/2008-1007r6The Technical Standard Program (TSP) is financially supported by ESTA

17、 and by companies and individuals who make undirected donations to the TSP. Contributing companies and individuals who have helped fund the TSP are recognized as “Investors in Innovation.” The Investors in Innovation when this standard was approved by the CPWG on 2 September 2015 include these compa

18、nies and individuals:Investors in InnovationVISIONARY Altman Lighting, Inc.Boston Illumination groupCandela Controls Inc.Clark-Reder EngineeringLDIJohn T. McGrawProSight Specialty InsuranceAlan M. RoweTheatre Safety ProgramsUnited States Institute for Theatre TechnologyView One, Inc.Steve A. Walker

19、Electronic Theatre Controls, Inc.; MPPaul Beasley; Walt Disney Company; URobert Bell; Acuity Brands Inc.; MPMarcus Bengtsson; LumenRadio AB; MPScott M. Blair; Full Throttle Films/ VER; DRIan Campbell; Doug Fleenor Design, Inc.; MPMilton Davis; Doug Fleenor Design, Inc.; MPCasey Diers; DesignLab Chic

20、ago, Inc.; DRGary Douglas; Acuity Brands Inc.; MPBill Ellis; Candela Controls, Inc.; DEDoug Fleenor; Doug Fleenor Design, Inc.; MPRandy L. Fox; Walt Disney Company; UAndrew Frazer; S; MPRobert Goddard; Goddard Design Co.; MPDennis Grow; I.A.T.S.E. Local 728; UMitch Hefter; USITT; UJeremy Hochman; Fu

21、ll Throttle Films/ VER; DRHarrison Hohnholt; City Theatrical, Inc.; MPMaurits van der Hoorn; Acuity Brands Inc.; MPJohn Huntington; I.A.T.S.E. Local 1; UMichael Karlsson; LumenRadio AB; MPPaul Kleissler; City Theatrical, Inc.; MPEdwin S. Kramer; I.A.T.S.E. Local 1; UUlrich Kunkel; E3 Engineering URo

22、ger Lattin; I.A.T.S.E. Local 728; UHans Lau; LumenRadio AB; MPMichael Lay; Royal Philips; MPJoshua Liposky; Lex Products Corp.; CPDan Lisowski; University of Wisconsin - Madison; DEKevin Loewen; Acuity Brands Inc.; MPTyrone Mellon, Jr.; Lex Products Corp.; CPJoshua Moyerman; S; MPPeter Newman; Open

23、Lighting Project; GSimon Newton; Open Lighting Project; GMaya Nigrosh; Electronic Theatre Controls, Inc.; MPAndrew Nikel; City Theatrical, Inc.; MPKimberly Corbett Oates; Schuler Shook; DEClaude Ostyn; Full Throttle Films/ VER; DREdward A. (Ted) Paget; Electronic Theatre Controls, Inc.; MPJason Pott

24、erf; Cisco; MP 2017 ESTA vANSI E1.30-4 2010 (R2015) CP/2008-1007r6Alan M. Rowe; I.A.T.S.E. Local 728; ULarry Schoeneman; DesignLab Chicago, Inc.; DRDane Styczynski; University of Wisconsin - Madison; DESteve Terry; Electronic Theatre Controls, Inc.; MPKen Vannice; Ken Vannice LLC; GPeter Willis; How

25、ard Eaton Lighting Ltd.; CPObserver members: Christian Allabauer; Lighting Innovations, Hermann Sorger GmbH; CPSimon Alpert; Lighttech Event Technologies; CPKlaus Amling; Licht-Technik; MPMatthew Ardine; IATSE Local 728; URobert Barbagallo; Solotech Inc.; UAdam Bennette; Electronic Theatre Controls,

26、 Inc.; MPDavid Bertenshaw; David Bertenshaw; GStephen Bickford; T. Kondos Associates; UTorrey Bievenour; Vision Quest Lighting; GLee J. Bloch; Bloch Design Group, Inc.; GDavid A. Boller; Organic Machines LLC; CPRon Bonner; PLASA EU; GStef Bressers; MagicFX B.V.; MPAndr Broucke; Andr Broucke; GKen Br

27、uns; Lumenpulse Lighting Inc.; MPJustyn Butler; JBOTS; CPJean-Francois Canuel; A.C. Lighting Ltd.; CPSteve Carlson; High Speed Design, Inc.; MPSang-Il Choi; Kyungpook National University; GJon Chuchla; Audio Visual Systems, Inc.; GSoo-Myong Chung; Bloch Design Group, Inc.; GPaul J. Clark; HxDx; CPEd

28、ward R. Condit; Edward R. Condit; GFraser Connolly; Artistic Licence Holdings; DEEric Cornwell; West Side Systems; UStuart Cotts; Oregon Shakespeare Festival; UKlas Dalbjorn; TC Group; MPBen Darrington; Wireless Solutions Sweden AB; MPJeremy Day; Lumenpulse Lighting Inc.; MPGilray Densham; CAST Grou

29、p Inc; MPLarry Dew; W.A. Benjamin Electric Co.; DEGary Dove; Dove Systems; MPTucker Downs; Tucker Downs; UYongshun Duan; Macostar International Ltd.; CPHamish Dumbreck; James Embedded Systems Engineering; MPLauren E. Dunn; Lauren E. Dunn (Larry); DEJerry Durand; Durand Interstellar, Inc.; CPJames Ea

30、de; ABTT; G 2017 ESTA viANSI E1.30-4 2010 (R2015) CP/2008-1007r6Andrew Eales; Rhodes University ; UMatthew Earnshaw; acdc LED Ltd.; MPPaul K. Ericson; Sparling DEJon R. Farley; Sixteenth Avenue Systems; CPMartin Farnik; Robe Show Lighting s.r.o.; MPDerek R. Flickinger; Interactive Homes, Inc.; UTrev

31、or Forrest; Helvar Lighting Control; MPHoward Forryan; Harting KGAA; GSteve Friedlander; Auerbach Pollock Friedlander; UEd Garstkiewicz; Harting KGAA; GJerry Gorrell; Theatre Safety Programs; GTom Grimes; Barco; MPRob Halliday; Rob Halliday; USean Harding; High Output, Inc.; GDouglas Heriot; Douglas

32、 Heriot; MPBill Hewlett; Hewlett Electronics; CPJim Holladay; Luxence; GWayne David Howell; Artistic Licence Holdings; DEIl Soon Jang; Electronics and Telecommunications Research Institute; GSierk Janszen; Ground Zero; UEric Johnson; Eric Johnson; GRob Johnston; Interactive Technologies, Inc.; MPJus

33、si Kallioinen; Eastway Sound UTae Gyu Kang; Electronics and Telecommunications Research Institute; GHyun Jong Kim; Electronics and Telecommunications Research Institute; GPeter Kirkup; Peter Kirkup; GHiroshi Kita; Marumo Electric Co., Ltd.; MPPhil Klapwyk; IATSE Local 891; UMark T. Kraft; Lehigh Ele

34、ctric Products Co.; MPKristen Kuipers; Newcomb DEJason Kyle; JPK Systems Ltd.; MPRick Leinen; Leviton Manufacturing Co., Inc.; MPHans Leiter; Electronic Theatre Controls, Inc.; MPJon Lenard; Applied Electronics; MPMaarten Lepelaars; eldoLED; MPSang-Kyu Lim; Electronics and Telecommunications Researc

35、h Institute; GMark Manthei; Shure Inc.; GPaul F. Mardon; Pulsar Ltd.; MPMick Martin; ShowCAD Control Systems; MPPaul Kenneth McEwan; Cooper Controls Ltd.; MPBrian McKelvey; Brian McKelvey; GJohn Mehltretter; Lehigh Electric Products Co.; MPJeff T. Miller; Walt Disney Company; UAvraham “Avi“ Mendall

36、Mor; Lightswitch; UJohn Musarra; John Musarra; UTobin Neis; Barbizon Companies; DR 2017 ESTA viiANSI E1.30-4 2010 (R2015) CP/2008-1007r6Dan T. Nguyen; LynTec; MPLars F. Paape; Scientific Algorithms and Embedded Systems; UBen Peoples; Pittsburgh Hoist CPGary Pritchard; LSC Lighting Systems PTY Ltd; M

37、PTorben Kaas Rasmussen; Martin Professional A/S; GCharles Reese; Production Resource Group; DRCharlie Richmond; Richmond Sound Design Ltd.; CPBernardo Benito Rico; Ben-Ri Electronica S.A.; MPSteve Roberts; Carr GErwin Rol; Erwin Rol; GDietmar Rottinghaus; Connex GmbH; MPRichard Salzedo; Avolites Ltd

38、.; MPYngve Sandboe; Sand Network Systems, Inc.; MPNicolai Gubi Schmidt; Gobo DRMartin Searancke; Dream Solutions Ltd.; MPFord Sellers; Chauvet Lighting; MPJohn Sellers; AIM Northwest; GAndrew Sherar; Lightmoves PLC; MPSean Sill; Open Lighting Project; GAshley Simper; TMB; DRStorm K. Staley; Stormwer

39、x; UEckart Steffens; Soundlight, the DMX Company; CPRalph Stillinger; Royal Philips; MPBart Swinnen; Luminex LCE; MPArnold Tang; Arnold Tang Productions; UGeoffrey O. Thompson; IEEE 802.3/Nortel Networks; GChristopher Tilton; Westlake Reed Leskosky; DERobert Timmerman; Royal Philips; MPDavid Timmins

40、; Jands Electronics; MPVictoria Tisdale; Google Summer of Code 2013; GJ. B. Toby; Avolites Ltd.; MPJames Tomlinson; James Tomlinson; GBob Toms; Catalyst Microsystems LLC; GRobert Tooker; Robert Tooker; UTad Trylski; Tad Trylski; UStephen J. Tyrrell; Quantum Logic; MPTracy Underhill; 4U Consulting; G

41、Steve Unwin; Pulsar Ltd.; MPSamuli Valo; Picturall Ltd.; MPCarlo Venturati; Clay Paky S.P.A.; MPWill Wagner; Carallon Ltd.; MPOliver Waits; Avolites Ltd.; MPJohn Warwick; Royal Philips; MPColin Waters; TMB; DRRalph Weber; ENDL Texas; GLars Wernlund; Capture Visualisation AB; MP 2017 ESTA viiiANSI E1

42、.30-4 2010 (R2015) CP/2008-1007r6Michael (Mike) Whetstone; Integrated Theatre, Inc.; CPLoren Wilton; Showman Systems; CPC. S. Wong; Macostar International Ltd.; CPJiantong Wu; Beijing Special Engineering Design GKehang Wu; Shure Inc.; GDavid Yellin; LightMinded Industries, Inc.; MPLarry Zoll; Zoll D

43、esign UInterest category codes:CP = Custom-market ProducerDE = DesignerDR = Dealer or Rental companyG = General interestMP = Mass-market ProducerU = User 2017 ESTA ixANSI E1.30-4 2010 (R2015) CP/2008-1007r6Table of ContentsNOTICE and DISCLAIMER.iAcknowledgmentsvTable of Contents.xAbstract1Foreword A

44、CN EPIs11 Introductory Discussion.11.1 DMX512.11.2 Versions of DMX512, E1.31 and DMX512 over Ethernet Protocols.11.3 DDL11.4 Multiple Interfaces11.5 Input vs Output.21.6 Characteristics of DMX512 Access22 DDL Properties and DMX512 Slots.22.1 Interlocks and Exclusions.32.2 Examples33 DMX512 Slot Addr

45、essing34 Syntax for DMX512 Addressing44.1 Identification of This Protocol.44.2 Property Map Elements44.3 Statements.54.3.1 Compound Statements54.3.2 Conditional Statements54.4 Procedures.54.4.1 Setslot( )54.4.2 next( )74.4.3 wait( ).74.4.4 Order of Execution.84.5 Expressions84.5.1 Variables84.5.2 Li

46、terals.84.5.3 Operators.94.6 Examples9Annex A. Normative References13 2017 ESTA xANSI E1.30-4 2010 (R2015) CP/2008-1007r6AbstractThis EPI defines protocol specific extensions to Device Description Language for describing DMX devices.Foreword ACN EPIsE1.17-200x is the “ESTA Architecture for Control N

47、etworks” standard ACN. It specifies an architecture including a suite of protocols and languages that may be configured and combined with other standard protocols in a number of ways to form flexible networked control systems.E1.17 Profiles for Interoperability (EPIs) are standards documents that sp

48、ecify how conforming implementations are to operate in a particular environment or situation in order to guarantee interoperability. They may specify a single technique, set of parameters or requirement for the various ACN components. They may also specify how other standards (including other EPIs)

49、either defined within ACN or externally are to be used to ensure interoperability.1 Introductory Discussion1.1 DMX512In the years since its introduction in 1986, USITT DMX512 (often referred to as DMX512 or just DMX) has spread from its initial remit of providing simple level control to dimmers, to control of a huge range of devices. The most recent standard specification is DMX512-A DMX512. Because the semantics of controlling anything except dimmers are outside the scope of any of the DMX512 specifications, there is n