ImageVerifierCode 换一换
格式:PDF , 页数:107 ,大小:6.62MB ,
资源ID:792893      下载积分:10000 积分
快捷下载
登录下载
邮箱/手机:
温馨提示:
如需开发票,请勿充值!快捷下载时,用户名和密码都是您填写的邮箱或者手机号,方便查询和重复下载(系统自动生成)。
如填写123,账号就是123,密码也是123。
特别说明:
请自助下载,系统不会自动发送文件的哦; 如果您已付费,想二次下载,请登录后访问:我的下载记录
支付方式: 支付宝扫码支付 微信扫码支付   
注意:如需开发票,请勿充值!
验证码:   换一换

加入VIP,免费下载
 

温馨提示:由于个人手机设置不同,如果发现不能下载,请复制以下地址【http://www.mydoc123.com/d-792893.html】到电脑端继续下载(重复下载不扣费)。

已注册用户请登录:
账号:
密码:
验证码:   换一换
  忘记密码?
三方登录: 微信登录  

下载须知

1: 本站所有资源如无特殊说明,都需要本地电脑安装OFFICE2007和PDF阅读器。
2: 试题试卷类文档,如果标题没有明确说明有答案则都视为没有答案,请知晓。
3: 文件的所有权益归上传用户所有。
4. 未经权益所有人同意不得将文件中的内容挪作商业或盈利用途。
5. 本站仅提供交流平台,并不能对任何下载内容负责。
6. 下载文件中如有侵权或不适当内容,请与我们联系,我们立即纠正。
7. 本站不保证下载资源的准确性、安全性和完整性, 同时也不承担用户因使用这些下载资源对自己和他人造成任何形式的伤害或损失。

版权提示 | 免责声明

本文(ITU-R REPORT BT 2053-2-2009 Large screen digital imagery《大屏幕数字影像》.pdf)为本站会员(王申宇)主动上传,麦多课文库仅提供信息存储空间,仅对用户上传内容的表现方式做保护处理,对上载内容本身不做任何修改或编辑。 若此文所含内容侵犯了您的版权或隐私,请立即通知麦多课文库(发送邮件至master@mydoc123.com或直接QQ联系客服),我们立即给予删除!

ITU-R REPORT BT 2053-2-2009 Large screen digital imagery《大屏幕数字影像》.pdf

1、 Report ITU-R BT.2053-2(11/2009)Large screen digital imageryBT SeriesBroadcasting service(television)ii Rep. ITU-R BT.2053-2 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio-frequency spectrum by all radiocommunication

2、 services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunic

3、ation Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Annex 1 of Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declaration

4、s by patent holders are available from http:/www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Reports (Also available online at http:/www.itu.int/pu

5、bl/R-REP/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA

6、 Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management Note: This ITU-R Report was approved in English by the Study Group under the proce

7、dure detailed in Resolution ITU-R 1. Electronic Publication Geneva, 2010 ITU 2010 All rights reserved. No part of this publication may be reproduced, by any means whatsoever, without written permission of ITU. Rep. ITU-R BT.2053-2 1 REPORT ITU-R BT.2053-2 Large screen digital imagery (Question ITU-R

8、 15/6) (2005-2006-2009) Foreword This Report has been prepared by Radiocommunication Study Group (SG) 6 and Radiocommunication Task Group (TG) 6/9, and contains information gathered from a number of external sources as well as from Radiocommunication TG 6/9. The terminology used throughout this Repo

9、rt is not consistent, other bodies such as, Society of Motion Picture and Television Engineers (SMPTE)1, and European Digital Cinema Forum (EDCF)2and technical publications, have used different terms in their deliberations to the terms adopted by Radiocommunication TG 6/9 in defining large screen di

10、gital imagery (LSDI). Further, it is not appropriate to draw comparisons between various definitions. This Report retains the original text provided by the various sources. The reader is cautioned not to draw any conclusions on the eventual adoption of terminology within this evolving industry. 1 In

11、troduction Radiocommunication TG 6/9 was formed by SG 6 in 2002 as a result of the adoption of ITU-R Question 15/6 “Digital cinema (D-Cinema) broadcasting”. Dr Joseph Flaherty of the North American Broadcasting Association (NABA) chaired the task group. Radiocommunication TG 6/9 held its first meeti

12、ng in March 2002. Some questions were raised concerning the scope of the task group; and it was concluded that aspects specifically relating to motion pictures (movies) should be based on standards developed by the motion picture expert groups. As a result, a revised Question was prepared and subseq

13、uently adopted, and the term “large-scale digital imagery (LSDI)” has been employed to describe the area of work of the task group. The revised Question is attached as Appendix 1. This Report is intended to supplement the set of Recommendations prepared by the task group, giving a brief summary of L

14、SDI and the work of the task force and providing detailed information on LSDI technology and LSDI applications. A progress report on standardization for digital cinema is also included. 2 What is LSDI? Large screen digital imagery (LSDI) is a family of digital imagery systems applicable to programme

15、s such as dramas, plays, sporting events, concerts, cultural events, etc., from capture to large screen presentation in high-resolution quality in appropriately equipped theatres, halls, and other venues. There may be many types and sizes of LSDI venues and audiences, but audiences larger than typic

16、al family viewing, using display systems larger than those that would normally be considered for a home environment, characterize LSDI. 1See digital cinema Specification V1.0 as submitted to the SMPTE at . 2See definitions of the EDCF four levels in 1 of Chapter 3 of Part 2. 2 Rep. ITU-R BT.2053-2 L

17、SDI became practical as a result of the development of electronic display systems suitable for viewing by an audience of significant size. Such display systems evolved in a number of areas. Some systems were designed to display very large albeit relatively low resolution images for viewing at long d

18、istances by very large audiences, such as in sports venues. Other systems were developed by the computer and audio/video (A/V) industries to facilitate presentation of electronic slides to smaller audiences in business environments. Eventually, these developments led to display systems that could pr

19、oduce an audience experience comparable to that delivered by projection of 35 mm motion picture film, and the concept of digital cinema was born. It soon became apparent that the evolving technologies could serve two very different areas of requirements. The motion picture industry intends to develo

20、p systems to replace the distribution and projection of 35-mm film prints. In this area it is vitally important to preserve characteristics of film that differentiate it from television, including extended colour gamut and very large contrast range. These considerations meant that the motion picture

21、 industry needed to undertake extensive studies based on the unique requirements of the business. Another area of great interest is the use of LSDI to permit presentation of television programming to large audiences, such as in theatres. Obvious examples are sports events and concerts or other stage

22、 productions. In this area it is essential that the characteristics of LSDI systems be closely matched to the television systems that are likely to be used to acquire the programmes 3 LSDI venues LSDI is suited to any venue where electronically delivered moving images are to be displayed for an audi

23、ence. Such venues may range from community television halls to stadium environments while the audience size may range from few persons to many tens of thousands. Some of the many possible LSDI venues, and ways in which they may be used, are discussed in Chapter 7 of Part 1. The work of the task grou

24、p focused largely on LSDI for theatrical environments. It was recognized that even this classification may include venues of many sizes and characteristics, but emphasis was given to venues where audiences could receive a “big-screen” experience. The LSDI sound system should have characteristics com

25、mensurate with this, so as to enhance the overall audience experience. Generally, the LSDI experience should represent a significant enhancement over conventional television, even large-screen television. Recommendation ITU-R BT.1690 describes such a theatrical environment in perceptual terms. 4 Vid

26、eo signal formats for LSDI The task group developed two Recommendations for baseband video formats for LSDI. Recommendation ITU-R BT.1680 recommends the use of Recommendation ITU-R BT.709 (1 920 1 080 at various frame rates, interlaced and progressive) and Recommendation ITU-R BT.1543 (1 280 720 at

27、59.94 Hz, progressive). It further recommends that for an expanded hierarchy of LSDI digital image formats for future LSDI applications that may require certain resolution and scanning formats that go beyond current technical solutions or those image formats used in other applications a hierarchical

28、 relationship with existing Recommendations be retained. For applications where high-definition signals are not available, Recommendation ITU-R BT.1689 recommends the use of Recommendation ITU-R BT.601 (720 576/480 at 50/59.94 Hz). Rep. ITU-R BT.2053-2 3 Programme material for LSDI will normally nee

29、d to be compressed for delivery to the venue; Recommendation ITU-R BT.1687 recommends the use of MPEG-2. This Recommendation suggests that LSDI applications will generally need higher bit rates than those used for delivery of television to the home. Recommendation ITU-R BT.1687 recommends “MPEG-2 in

30、terframe bit-rate reduction at MPHL (HiQ) and at a minimum video net bit rate of the order of 20 Mbit/s should be preferred in the short term, for real-time distribution of LSDI programmes for their theatrical presentation.” 5 Audio for LSDI The task group recognized that high-quality, multichannel

31、audio is an essential component of presentation in an LSDI environment. Recommendation ITU-R BT.1688 recommends a delivery of 5.1 channel audio as part of LSDI programming, and the use of 48 kHz sampling at a minimum 16-bit resolution, and the use of either baseband PCM, AC-3, or AAC encoding. Some

32、LSDI applications for a large theatrical environment may need multichannel sound systems that can reproduce the sound sources, which are localized at a higher position over the listener, and vertical and horizontal movements of sound sources. Several multichannel sound systems are currently applied

33、or studied for a theatre with a large screen, and some of them have loudspeakers arranged above and around the viewer. 6 Quality considerations for LSDI Audiences will have high expectations for LSDI and the quality of the presentation will be critical to success in many areas. Recommendation ITU-R

34、BT.1662 discusses issues of post-processing headroom in the LSDI chain. Recommendation ITU-R BT.1663 addresses display quality; Recommendation ITU-R BT.1686 covers measurement of image parameters, and Recommendation ITU-R BT.1721 makes recommendations for measurement of perceptive image quality. Rec

35、ommendation ITU-R BT.1679 addresses subjective evaluation of audio quality in LSDI environments. A study on psychological effects of wide-screen display systems confirms that wider viewing angles generate higher “sensation of reality”. It also implies that LSDI with higher resolution than HDTV would

36、 be needed for applications that require a higher “sensation of reality”. On the other hand, it is known that decreases of comfortableness would arise when the viewing position is too close to wide-screen images. Based on such results, parameter values for expanded hierarchy of LSDI systems such as

37、display size, viewing distance and spatial resolution might be determined. 7 Delivery of LSDI content Traditional broadcast channels such as terrestrial transmission will not generally deliver LSDI content. The large screen will make impairments such as compression artefacts more apparent, and lower

38、 compression ratios will normally be needed for LSDI. Real-time delivery of LSDI will normally use broadband terrestrial circuits or satellite systems. Recommendation ITU-R BT.1727 addresses these forms of delivery. Non-real-time delivery may use similar circuits, or may use tapes or disks. Recommen

39、dation ITU-R BT.1694 makes recommendations for the use of videocassette recordings. 4 Rep. ITU-R BT.2053-2 8 LSDI technologies and implementations Current and future LSDI technologies are both discussed in Part 1, which consists of eight Chapters related to the various components of the LSDI chain.

40、Part 2 includes available information on the status of implementations of LSDI applications around the world and future LSDI trends. It is divided into three Chapters, one for each region covered by relevant investigations, namely America (North and South), Asia and Europe. 9 Digital cinema A progre

41、ss report on standardization for digital cinema will eventually be included, as Part 3 of this Report. 10 Recommendations The Recommendations developed by the task group are listed below in Table form, and with a brief summary of the subject matter. LSDI application for presentation in a theatrical

42、environment Recommendations already developed by Radiocommunication TG 6/9 Rec. ITU-R Title BT.1662 General reference chain and management of post-processing headroom for programme essence in large screen digital imagery applications BT.1663 Expert viewing methods to assess the quality of systems fo

43、r the digital display of large screen digital imagery in theatres BT.1664 Representation of various image aspect ratios into the image of large screen digital imagery applications that use a 16:9 raster BT.1665 Considerations for colour encoding and spatial resolution for large screen digital imager

44、y display BT.1666 User requirements for large screen digital imagery applications intended for presentation in a theatrical environment BS.1679 Subjective assessment of the quality of audio in large screen digital imagery applications intended for presentation in a theatrical environment BT.1680 Bas

45、eband imaging format for distribution of large screen digital imagery applications intended for presentation in a theatrical environment BT.1686 Methods of measurement of image presentation parameters for large screen digital imagery programme presentation in a theatrical environment BT.1687 Video b

46、it-rate reduction for real-time distribution of large screen digital imagery applications for presentation in a theatrical environment BS.1688 Baseband sound system and audio source-coding at delivery interfaces of large screen digital imagery applications BT.1689 Guidelines on the presentation in l

47、arge screen digital imagery environments of programmes that are provided in image formats conforming to Recommendation ITU-R BT.601 BT.1690 Assumed characteristics of venues intended for large screen digital imagery programme presentation in a theatrical environment Rep. ITU-R BT.2053-2 5 Rec. ITU-R

48、 Title BR.1694 Videocassette recording formats for international exchange of large screen digital imagery programmes intended for presentation in a theatrical environment BT.1721 Objective measurement of perceptual image quality of large screen digital imagery applications for theatrical presentatio

49、n BT.1727 Terrestrial and satellite delivery of programme material to large screen digital imagery venues BS.1734 Basic performance requirements for the sound components of large screen digital imagery applications for presentation in a theatrical environment Recommendation ITU-R BT.1662 General reference chain and management of post-processing headroom for programme essence in large screen digital imagery applications This Recommendation specifies a general reference chain that should be used to study post-processing headroom management for typical LSDI app

copyright@ 2008-2019 麦多课文库(www.mydoc123.com)网站版权所有
备案/许可证编号:苏ICP备17064731号-1