1、ANSI E1.37-1 2012 (R2017)Additional Message Sets for ANSI E1.20 (RDM) Part 1, Dimmer Message SetsCP/2009-1019r5This edition of ANSI E1.37-1 is a reaffirmation of ANSI E1.37-1 2002. This reaffirmation was approved by the American National Standards Institute on 18 May 2017. 2017 the Entertainment Ser
2、vices and Technology Association (ESTA). All rights reserved.blank pageANSI E1.37-1 2012 (R2017) 2017 ESTANOTICE and DISCLAIMERESTA does not approve, inspect, or certify any installations, procedures, equipment or materials for compliance with codes, recommended practices or standards. Compliance wi
3、th a ESTA standard or an American National Standard developed by ESTA is the sole and exclusive responsibility of the manufacturer or provider and is entirely within their control and discretion. Any markings, identification or other claims of compliance do not constitute certification or approval o
4、f any type or nature whatsoever by ESTA.ESTA neither guarantees nor warrants the accuracy or completeness of any information published herein and disclaims liability for any personal injury, property or other damage or injury of any nature whatsoever, whether special, indirect, consequential or comp
5、ensatory, directly or indirectly resulting from the publication, use of, or reliance on this document. In issuing and distributing this document.In issuing this document, ESTA does not either (a) undertake to render professional or other services for or on behalf of any person or entity, or (b) unde
6、rtake any duty to any person or entity with respect to this document or its contents. Anyone using this document should rely on his or her own independent judgment or, as appropriate, seek the advice of a competent professional in determining the exercise of reasonable care in any given circumstance
7、. Published by:The Entertainment Services and Technology Association630 Ninth Avenue, Suite 609New York, NY 10036USAPhone: 1-212-244-1505Fax: 1-212-244-1502Email: standard s esta .orgCP/2009-1019r5 page iANSI E1.37-1 2012 (R2017) 2017 ESTAThe ESTA Technical Standards ProgramThe ESTA Technical Standa
8、rds Program was created to serve the ESTA membership and the entertainment industry in technical standards related matters. The goal of the Program is to take a leading role regarding technology within the entertainment industry by creating recommended practices and standards, monitoring standards i
9、ssues around the world on behalf of our members, and improving communications and safety within the industry. ESTA works closely with the technical standards efforts of other organizations within our industry and represents the interests of ESTA members to ANSI, UL, and the NFPA. The Technical Stand
10、ards Program is accredited by the American National Standards Institute.The Technical Standards Council (TSC) was established to oversee and coordinate the Technical Standards Program. Made up of individuals experienced in standards-making work from throughout our industry, the Council approves all
11、projects undertaken and assigns them to the appropriate working group. The Technical Standards Council employs a Technical Standards Manager and Assistant to coordinate the work of the Council and its working groups as well as maintain a “Standards Watch” on behalf of members. Working groups include
12、: Control Protocols, Electrical Power, Event Safety, Floors, Fog and Smoke, Followspot Position, Photometrics, Rigging, and Stage Lifts.ESTA encourages active participation in the Technical Standards Program. There are several ways to become involved. If you would like to become a member of an exist
13、ing working group, as have over four hundred people, you must complete an application which is available from the ESTA office. Your application is subject to approval by the working group and you will be required to actively participate in the work of the group. This includes responding to letter ba
14、llots and attending meetings. Membership in ESTA is not a requirement, but there is an annual participation fee. A participation fee fund is available to help those who find the fee is an impediment to their participation due to their financial situation. You can also become involved by requesting t
15、hat the TSC develop a standard or a recommended practice in an area of concern to you.The Control Protocols Working Group, which authored this Standard, consists of a cross section of entertainment industry professionals representing a diversity of interests. ESTA is committed to developing consensu
16、s-based standards and recommended practices in an open setting.CP/2009-1019r5 page iiANSI E1.37-1 2012 (R2017) 2017 ESTAInvestors in InnovationThe Technical Standard Program is financially supported by companies and individuals who make undirected donations to the TSP. Contributing companies and ind
17、ividuals who have helped fund the TSP are recognized as “Investors in Innovation.” The Investors in Innovation when this standard was approved by ANSI on 18 May 2017 include these companies and individuals:VISIONARY LEADERS ($50,000 100 employees/members)Chauvet Professional United States Institute
18、for Theatre TechnologyColumbus McKinnon Entertainment Technology VERMartin Professional Walt Disney Parks and ResortsRobeVISIONARY ($5,000 20100 employees/members)Altman Lighting, Inc. McLaren Engineering GroupGerman Light Products Stage RiggingHigh End Systems TMBJR Clancy Tyler Truss Systems, Inc.
19、VISIONARY ($500 100 employees/members)Barbizon Electric NAMMGolden Sea Professional Equipment Limited Rosco LaboratoriesIATSE Local 891 Texas Scenic CompanyLexINVESTOR ($1,500$4,999; 20100 employees/members)American Society of Theatre Consultants Morpheus LightsCity Theatrical Inc. Niscon Inc.InterA
20、merica Stage, Inc. Syracuse Scenery and Stage LightingLycian Stage Lighting XSF Xtreme Structures and FabricationINVESTOR ($200$499; 100 employees/members)Ian Foulds, IATSE Local 873 IATSE Local 80Harlequin Floors PSAVSUPPORTER ($1,500; 20100 employees/members)Aerial Arts SerapidBlizzard Lighting, L
21、LC Stage Equipment 20 employees/members)AC Power Distribution Shawn NolanMilton Davis Lizz PittsleyPeter Donovan Phil ReillyPat Grenfell Robert ScalesMitch Hefter Charles ScottBill Hektner Michael SkinnerAlan Hendrickson Skjonberg Controls Inc.Hoist Sales and Services Studio T+L, LLCBeverly and Tom
22、Inglesby John SzewczukIntensity Advisors TeclumenJSAV Theta ConsultingEddie Kramer Tracy UnderhillMichael Lay Ken Vannice John Musarra Robert L. Williams Planned Giving donorCP/2009-1019r5 page ivANSI E1.37-1 2012 (R2017) 2017 ESTAContact InformationTechnical Standards ManagerKarl G. RulingESTA630 N
23、inth Avenue, Suite 609New York, NY 10036USA1-212-244-1505 x703karl.rulingesta.orgAssistant Technical Standards ManagerErin GrabeESTA630 Ninth Avenue, Suite 609New York, NY 10036USA1-212-244-1505 x606erin.grabeesta.orgTechnical Standards Council Co-chairpersonsMike Garl Mike Garl Consulting LLCPhone:
24、 1 865-389-Mike WoodMike Wood Consulting LLCPhone: 1 512-288-4916Fax: 1 866-674- Control Protocols Working Group ChairpersonMichael Lay Philips Color Kinetics 3 Burlington Woods DriveBurlington, MA 01803USA1-781-418-9145 CP/2009-1019r5 page vANSI E1.37-1 2012 (R2017) 2017 ESTAAcknowledgmentsThe Cont
25、rol Protocols Working Group members when the motion was made to reaffirm this standard at the working groups meeting on 21 January 2017 are shown below. Voting members:Daniel W. Antonuk; Electronic Theatre Controls, Inc.; MPRobert Bell; Acuity Brands Inc.; MPMarcus Bengtsson; LumenRadio AB; MPScott
26、M. Blair; Full Throttle Films/VER; DRBrent Boulnois; Candela Controls, Inc.; DEIan Campbell; Doug Fleenor Design, Inc.; MPMilton Davis; Doug Fleenor Design, Inc.; MPAdam De Witt; Adept Anomaly; UGary Douglas; Acuity Brands Inc.; MPBill Ellis; Candela Controls, Inc.; DEAndrew Frazer; S; MPRobert Godd
27、ard; Goddard Design Co.; MPMitch Hefter; USITT; UJulian Hoare; Tait Towers Manufacturing LLC; MPJeremy Hochman; Full Throttle Films/ VER; DRJon Hole; Eaton; MPMaurits van der Hoorn; Acuity Brands Inc.; MPJohn Huntington; I.A.T.S.E. Local 1; UMichael Karlsson; LumenRadio AB; MPSam Kearney; Electronic
28、 Theatre Controls, Inc.; MPPaul Kleissler; City Theatrical, Inc.; MPEdwin S. Kramer; I.A.T.S.E. Local 1; UUlrich Kunkel; E3 Engineering URoger Lattin; I.A.T.S.E. Local 728; UMichael Lay; Philips Lighting; MPJoshua Liposky; Lex TM3; CPDan Lisowski; University of Wisconsin - Madison; DEKevin Loewen; A
29、cuity Brands Inc.; MPJim Love; Tait Towers Manufacturing LLC; MPTyrone Mellon Jr.; Lex TM3; CPDaniel Murfin; Royal National Theatre; USimon Newton; Open Lighting Project; GMaya Nigrosh; Electronic Theatre Controls, Inc.; MPKimberly Corbett Oates; Schuler Shook; DEJim Ohrberg; Candela Controls, Inc.;
30、 DEClaude Ostyn; Full Throttle Films/ VER; DREdward A. (Ted) Paget; Electronic Theatre Controls, Inc.; MPJason Potterf; Cisco; MPAlan M. Rowe; I.A.T.S.E. Local 728; ULarry Schoeneman; DesignLab Chicago, Inc.; DRSteve Terry; Electronic Theatre Controls, Inc.; MPKen Vannice; Ken Vannice LLC; GPeter Wi
31、llis; Howard Eaton Lighting Ltd.; CPObserver (non-voting) members: Christian Allabauer; GMatthew Ardine; IATSE Local 728; URobert Barbagallo; Solotech Inc.; UPaul Beasley; Walt Disney Company; ULee J. Bloch; Bloch Design Group, Inc.; GCP/2009-1019r5 page viANSI E1.37-1 2012 (R2017) 2017 ESTAJavid D.
32、 Butler; Integrated Theatre, Inc.; CPJustyn Butler; JBOTS; CPJean-Francois Canuel; A.C. Lighting Ltd.; CPSteve Carlson; High Speed Design, Inc.; MPJon Chuchla; Audio Visual Systems, Inc.; GEdward R. Condit; OSRAM Licht AG; GJeremy Day; Lumenpulse Lighting Inc.; MPLarry Dew; W.A. Benjamin Electric Co
33、.; DERich Dionne; Purdue University; DETucker Downs; Tucker Downs; UHamish Dumbreck; James Embedded Systems Engineering; MPJames Eade; ABTT; GPaul K. Ericson; Stantec; DETrevor Forrest; Helvar Lighting Control; MPPhilip Gartner; AusChristmasLighting; UJerry Gorrell; Theatre Safety Programs; GSean Ha
34、rding; Port Lighting Systems; GBill Hewlett; ImageCue LLC; MPJim Holladay; Luxence; GWayne David Howell; Artistic Licence Holdings; DEEric Johnson; Eric Johnson; GRob Johnston; Interactive Technologies, Inc.; MPJonathan Kemble; Barco; MPJason Kyle; JPK Systems Ltd.; MPHans Leiter; Electronic Theatre
35、 Controls, Inc.; MPJon Lenard; Applied Electronics; MPSang-Kyu Lim; Electronics and Telecommunications Research Institute; GJohn Mehltretter; Lehigh Electric Products Co.; MPJohn Musarra; John Musarra; UDanilo Oliveira; Chauvet Lighting; MPGary Pritchard; LSC Lighting Systems PTY Ltd; MPCharles Rees
36、e; Production Resource Group; DRYngve Sandboe; Sand Network Systems, Inc.; MPNicolai Gubi Schmidt; Gobo DRFord Sellers; Chauvet Lighting; MPSean Sill; Sean Sill; CPRalph Stillinger; Philips Lighting; MPChristopher Tilton; Westlake Reed Leskosky; DERobert Timmerman; Philips Lighting; MPJames Tomlinso
37、n; Team Tomlinson; GTracy Underhill; Triple C Lighting GSteve Unwin; Pulsar Ltd.; MPCarlo Venturati; Clay Paky S.P.A.; MPWill Wagner; Carallon Ltd.; MPOliver Waits; Avolites Ltd.; MPColin Waters; TMB; DRRalph Weber; ENDL Texas; GLoren Wilton; Showman Systems; CPDavid Yellin; LightMinded Industries,
38、Inc.; MPJeong Sik Yoo; Korea Testing Laboratory / Theatre Safety Center; DEInterest category codes:CP = custom-market producer DE = designerDR = dealer rental company G = general interestMP = mass-market producer U = userCP/2009-1019r5 page viiANSI E1.37-1 2012 (R2017) 2017 ESTATable of ContentsNOTI
39、CE and DISCLAIMER.iInvestors in Innovation.iiiAcknowledgments.viTable of ContentsviiiIntroduction1Overview11 Normative References22 General Sub-Device Handling33 General Parameter Messages33.1 General33.2 Get/Set Identify Mode (IDENTIFY_MODE)33.3 Get/Set DMX512 Block Address (DMX_BLOCK_ADDRESS).43.4
40、 Get/Set DMX512 Fail Mode (DMX_FAIL_MODE).63.5 Get/Set DMX512 Startup Mode (DMX_STARTUP_MODE)83.6 Get/Set Power-On Self Test (POWER_ON_SELF_TEST)103.7 Get/Set Lock State (LOCK_STATE)113.8 Get Lock State Description (LOCK_STATE_DESCRIPTION).133.9 Get/Set Lock PIN (LOCK_PIN)143.10 Get/Set Burn-In (BUR
41、N_IN).154 Dimmer Parameter Messages164.1 General164.2 Intensity Levels164.3 Get Dimmer Info (DIMMER_INFO)164.4 Get/Set Minimum Level (MINIMUM_LEVEL).184.5 Get/Set Maximum Level (MAXIMUM_LEVEL).194.6 Get/Set Curve (CURVE)204.7 Get Curve Description (CURVE_DESCRIPTION).224.8 Get/Set Output Response Ti
42、me (OUTPUT_RESPONSE_TIME)224.9 Get Response Time Description (OUTPUT_RESPONSE_TIME_DESCRIPTION).234.10 Get/Set Modulation Frequency (MODULATION_FREQUENCY)244.11 Get Modulation Frequency Description (MODULATION_FREQUENCY_DESCRIPTION)255 Preset Messages265.1 General265.2 Get Preset Info (PRESET_INFO)2
43、75.3 Get/Set Preset Status (PRESET_STATUS)295.4 Get/Set Preset Merge Mode (PRESET_MERGEMODE).30Appendix A: Defined Parameters (Normative).32Table A-1: RDM Parameter ID Defines32Table A-2: Preset Programmed Defines33Table A-3: Merge Mode Defines33CP/2009-1019r5 page viiiANSI E1.37-1 2012 (R2017) 2017
44、 ESTAIntroductionThe ANSI E1.20 Remote Device Management Protocol (RDM) permits intelligent bi-directional communication between devices from multiple manufacturers utilizing a modified DMX512 data link. RDM is an EF(Enhanced Functionality) 1.0 implementation of ANSI E1.11 (DMX512-A).RDM permits a c
45、onsole or other controlling device to discover and then configure, monitor, and manage intermediate and end-devices connected through a DMX512 network. RDM provides for intelligent control of devices on a DMX512 network, which has not been previously available outside of proprietary networks.Overvie
46、wThis document provides additional get/set parameter messages (PIDs) for use with the ANSI E1.20 Remote Device Management protocol. Many messages in this document are intended for, but not limited to, use with dimming systems.The RDM standard can be implemented in DMX512 dimmers, to allow a controll
47、er to discover them, set the DMX512 addresses (either of the entire device or of each output separately using sub-device messaging), and to monitor sensors, such as temperatures. This document defines additional message capabilities to access configuration parameters commonly found in many systems.C
48、P/2009-1019r5 page 1ANSI E1.37-1 2012 (R2017) 2017 ESTA1 Normative References ANSI E1.20-2006 Entertainment Technology - Remote Device Management over USITT DMX512ANSI E1.11-2008 Entertainment Technology - USITT DMX512-A - Asynchronous Serial Digital Data Transmission Standard for Controlling Lighti
49、ng Equipment and Accessories. ESTA630 Ninth Avenue, Suite 609New York, NY 100361-212-244-1505http:/tsp.esta.org/tsp/about/index.htmlISO/IEC 646 Information Technology - ISO 7-bit Coded Character Set for Information InterchangeISO 639-1 Codes for the representation of names of languages Part 1: Alpha-2 codeIECInternational Electrotechnical CommissionPO Box 1313 rue de Varembe1211 Geneva 20Switzerland+41 22 919 02 11www.iec.chISOIntern
